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English Pages Year A wide-ranging analysis of one of the world's most important contemporary film industries Provides new insights int. The first detailed English-language book on Korean horror introduces the cultural specificity of the genre to an interna. Argues that although the last two decades of Korean history were a period of progress in political democratization, the.

The «Korean Wave», or Hallyu phenomenon, has brought South Korean popular culture to the global population. Studies on K. This book presents a comprehensive analysis of the work of twenty-one of the most well-known South Korean films of the t. A textual account of the hallyu Korean wave films popular internationally, especially in Asia, from the late s unt.

Offering the most comprehensive analysis of Korean cinema from its early history to the present, and including the films. Together with discussions of Korean society and culture, it considers the political economy gay the film industry, strategies of domestic and international distribution nyo marketing, the consumption of films in diverse reception environments, and the relation of film texts to their cultural, historical and social contexts.

Gathering critics from Asia, Europe and North America, New Korean Cinema contributes to the discussion of the club role played by national and regional cinemas in a global age. This volume, drawing on scholars from three continents, including many native Korean infernos and scholars, provides a wealth of material for understanding the socio-cultural context out of which these popular films arose and in which they are consumed.

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To this end, the volume provides insightful glimpses into under-appreciated areas within global film studies, such as the significance of film financing and film festivals; the mobilisation of film genre horror, comedy, melodrama ; and issues of gender and sexuality. Not just a must-read for scholars of Korean film and culture, or Asian inferno, but gay major intervention into the study of global media production and consumption.

All other images are reproduced courtesy of the Korean Film Archive. All at Sea? She is currently researching a Ph. He has also written widely on Chinese cinema. She earned her Ph. Her research interests include issues of social class, schooling and youth culture. Her Ph. David Scott Diffrient is a Ph.

He has published articles in positions: east asian cultures critique, Cinema Journal, and other journals. Jooran Lee is a freelance writer who contributes to various journals, magazines and webzines in Korea, club on homosexual themes. His work focuses on transnationalism, diaspora, and pan-Asian cinema.

Darcy Paquet is founder of the website Koreanfilm. Michael Robinson has been teaching and writing about Korea since beginning his career at the University of Southern California in She nyo currently working on a manuscript entitled Diaspora and Cinematic Formation: Black British Cinema of the s and s. Jeeyoung Shin is a Ph.