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The Tribe Macon shines in venues around Central Georgia, elevating drag shows to an enviable business model. Onstage, about a dozen performers began gay and moving to the musical Pippin. It was an eclectic group in terms of age, looks, and fashion choices for this casual rehearsal. Everyone was a little bit different — except that clad on each of their feet were bedazzled platform heels or shined up club loafers.
It was a hint of the magic Walker hoped to inspire during the show. Walker goes between reprimanding the team and dancing exuberantly in a single swoop during this rehearsal. Their authority is sharp and graceful, commanding the room in a way that is a signature of the attention-grabbing nature of drag performance.
I just remember having long hair, singing, and this is before I ever did any kind of shows. Drag balls were an open secret across the 19th century world, as they were commonly known but still had to be kept on the down-low due to the illicit nature of homosexuality in many countries. The over-the-top costumes and makeup of drag queens and kings today hail in direct lineage to these original balls, which mimicked the elegant, high-fashion balls that occurred during the Victorian era in heterosexual society.
This legacy continues into the big and outlandish drag outfits, warner, and makeup of today, since these looks are originally based on 19th century black-tie occasions. As for their foremother in Macon, both sisters identified legendary local queen Tangerine Summers see Hero feature on pg.
XX as the person who opened the door for drag acceptance in Macon in the s and beyond — and who personally helped their careers. Tangerine fought the good fight for girls like us. To that end, The Tribe Macon is ensuring longevity through teaching a family of their own. I mean, my drag has evolved, or else I will fade away.
Walker currently serves on the board of Macon Pride as the entertainment director. The venues are different, too. It means something to be Black and queer, and to pop out of the robin door Harry Houdini came out of. The leading duo incorporates signature talents into their act, like singing live or creating side-splitting jokes.
The girls also all perform at other venues near and far.
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They credit their technique to frequently studying other drag performers in Atlanta or Athens as one reason The Tribe brings so much energy and professionalism to Central Georgia. Each has their own role. Vidalle, for example, has several years of experience and teaches other queens. Yutoya takes on marketing, creating colorful graphics and social media posts.
Christina, as the leader and host, explains her experience in management roles in the work world prepared her for directing. Blount is the signature mix master for The Tribe, but he does so much more. I make sure their microphones are good, the sound is good. I create the atmosphere.